How each shot gets made
A catalogue of filming problems, not of services. Each entry explains why a given shot is genuinely hard, which technical decision solves it and on which campaigns it was solved. It comes from shoots that happened, not from a brochure.
Chasing a car at road speed
The director asks for the camera to overtake the car, cut in front and pull away behind it without a cut. It is the most requested shot and the least understood.
RAW FPV DroneFlying inches from a person
Passing under someone's legs, crossing between two actors, grazing glass. Short distance is what separates an FPV shot from any other aerial shot.
Protected FPV · RAW FPV DroneLeaving an interior for the street without a cut
The camera starts inside a room, pulls back, tilts down and exits through the window. On screen it is one move. On the day it is two units and two permits.
Protected FPVTaking off and landing on a moving ship
On land, the spot you took off from is still there when you come back. On a three-hundred-metre ship under way, it is not.
RAW FPV Drone · Protected FPV · DJI Inspire 3