Impossible shots.
Delivered in RAW.

Fly with precision where nothing else fits, at speeds nothing else can hold. Skimming the tarmac low enough to touch it, threading a gap barely wider than the drone, diving the full face of a building: these shots read as impossible because no other tool can physically be there. And since the camera itself is flying, the audience isn't watching the action from outside, they're inside it. That mix of precision, speed and immersion is what FPV gives you and a crane, a dolly or a standard drone never will.

Yes. That's exactly what our protected platform is built for. The propellers are fully enclosed, the aircraft is light, and nothing is improvised: every move is rehearsed at low speed before we fly it for real, talent gets a proper briefing, and safety lines are agreed with the 1st AD. Flying inches from people is a discipline, not a stunt.

We hold an EU operational authorization covering complex urban flights, which lets us put the camera over plazas, streets and façades where standard operations stop. Each location still needs its own coordination with local authorities. Tell us the city early in prep and we take care of the paperwork.

Fully. We operate under EASA-compliant procedures with liability cover specific to aerial work on set. Certificates and operational documentation are available for your production file on request.

Whatever the shot needs. Our FPV rigs carry RAW cinema cameras; for glass-smooth work we lift full cinema payloads, ARRI-class or full-frame RAW, on gimbal and heavy-lift platforms; and for slow motion we fly a dedicated high-speed camera holding hundreds of frames per second while the drone is still moving. In the grade, our footage cuts in like any other camera on your show.

You see what the drone sees. We send a live feed to video village, walk every shot with the director before flying it, and iterate take by take like any other camera department. Storyboard, reference clip or a sentence scribbled on a call sheet: we build the flight around whatever you bring.

Indoor work is one of our specialities: apartments, libraries, corridors, industrial spaces. The protected drone flies through doorways and inches from glass, needs no rigging and resets in seconds, so you get the one-take interior move a Steadicam or a jib physically can't do.

We're based in Spain and shoot wherever the project is. Recent work ranges from the Canary Islands to the Alps and Latin America. The kit flies with us, and for shoots outside the EU we sort local flight permissions ahead of time.

We fly in more wind than most stabilized drones will tolerate, but heavy rain grounds any open-prop rig. We track the forecast with production during the days before the shoot and flag risk early. If a weather window dies, we help re-plan the day instead of burning it.

Three things: the shot (a reference, a board, even one sentence), the location and the dates. With that we come back within 24-48 hours with the right platform, crew size and a number.