Stay with it
Chase, lead and overtake at road speed without losing the shape of the car.
Automotive FPV filming
Put the audience in the chase.
A fast car is easy to show. Making people feel the speed, the weight and the road is the harder part.
Based in Spain. Available worldwide.
14 yearsflying drones
EU authorizedfor complex urban FPV
€6.5Minsured
ATA Carnettravel ready
Automotive FPV Filming
The car does not wait for the camera.
We lead it, chase it, overtake it and leave the road in the same take. Close enough to read the bodywork. Wide enough to give the landscape its moment.
Before the first full-speed run, director, DP, precision driver and pilot know the line. Speed, lens, edit points and escape routes are agreed. Less guesswork on set. More usable takes.
What you can do with it
Get properly close
Low passes, lateral tracking and top shots with the distance held on purpose.
Leave the road
Move from a detail to the landscape and back to the car without asking for a cut.
Match the picture
RED and cinema options chosen around the main unit, the lens and the grade.
On set
For commercials, launch films and branded work where the vehicle has to perform, not simply appear. Bring us in for the recce. The best line is usually found before the road closes.
- Typical platforms
- RAW FPV Drone, RAW FPV Gimbal
- Camera options
- RED Komodo-X, RED V-Raptor
- What we need
- Speed, road plan, sight lines and safe recovery zones
- Recording
- Cinema RAW or the format agreed with production
How we get there
- 01
Show us the idea
We find the move that sells the car and the frames the edit cannot miss.
- 02
Walk the road
We check speed, obstacles, RF, launch points and every safe way out.
- 03
Rehearse once, learn fast
Pilot, camera team and precision driver lock timing before the hero run.
- 04
Make the take better
Distance, pace and the final frame are refined with video village.
Selected work
See the work Judge us by the pictures.
Before you ask
How fast can you follow the car?
Fast enough for the shot is the honest answer. Platform, road, wind, lens and safety decide the number. We design for the speed the audience needs to feel.
Can the drone match our main camera?
Yes. We choose the RED or cinema setup around your frame rate, lensing and colour workflow.
Can you travel with the production?
Yes. We are based in Spain, work worldwide and travel with an ATA Carnet for the cinema equipment.
What are we solving next?
Send us the boards, the location and the shot you need. We will recommend the right setup and the most effective way to get it.
Tell us the shot