Stay flattering
Controlled parallax and precise framing around faces, bodies and garments.
Stabilized cinema movement
Smooth is not the same as slow.
The freedom of a drone. The control of a gimbal. For shots that need energy without looking nervous.
Based in Spain. Available worldwide.
14 yearsflying drones
EU authorizedfor complex urban FPV
€6.5Minsured
ATA Carnettravel ready
Stabilized Cinema Drone Filming
Freedom in the flight. Control in the frame.
The pilot moves the aircraft. The camera operator protects the frame. That separation lets us travel fast, keep a face where it belongs and arrive softly on the detail that matters.
Sometimes the answer is gimbal FPV. Sometimes it is Inspire 3. Sometimes it is a larger cinema platform. We choose after seeing the shot, not before.
What you can do with it
Keep the lines clean
Level horizons and deliberate reveals for architecture and product.
Split the job
The pilot owns the flight. The camera operator owns the composition.
Choose the sensor
Full-frame and RAW options based on field of view, colour and frame rate.
On set
For fashion, beauty, luxury, architecture and any brief where the camera should feel free but never wild. Show us the boards and we will bring the smallest setup that does the job properly.
- Platforms
- RAW FPV Gimbal, DJI Inspire 3, selected heavy-lift rigs
- Control
- Pilot and dedicated camera operator
- Camera options
- DJI Zenmuse X9-8K Air, RED and ARRI-class payloads
- Best used for
- Talent, fashion, architecture, luxury and controlled reveals
How we get there
- 01
Name the feeling
Elegant, weightless and tense are different movements, not mood-board labels.
- 02
Use only what helps
Sensor, lens, gimbal and aircraft are chosen around frame and location.
- 03
Lock the key frames
The start, the transition and the landing are rehearsed with action and light.
- 04
Make it look simple
Pilot and operator refine speed, parallax and composition together.
Selected work
See the work Judge us by the pictures.
Before you ask
Why not use classic FPV?
Because not every shot should lean into the turn. A gimbal lets the aircraft move while the frame stays level and composed.
Can you work close to talent?
Yes. Distance and platform depend on the location. For very tight or enclosed routes, protected FPV may be the better answer.
Can it match our RED or ARRI unit?
Yes. We plan camera, lensing and colour with the DP. Payload and location decide the final package.
What are we solving next?
Send us the boards, the location and the shot you need. We will recommend the right setup and the most effective way to get it.
Tell us the shot