A resident FPV unit, not a travelling one. More than fifteen of our campaigns were shot here, from Gran Via to the Almeria desert, and the paperwork is already ours to handle.
Productions come to Spain for the light, the roads, the coastline and the cost. What they usually import is the aerial unit, which means flight cases through customs, a crew that does not know the location and a permit process starting from zero.
We are based here. We have flown commercials in Madrid, Barcelona, Valencia, Tenerife, Almeria, Antequera and Aragon, we hold European operational authorization for complex urban FPV, and we work in English, Spanish and French. Your production brings the idea and the camera department. The aerial problem is already solved.
Five platforms, each with an honest limit. We publish the figures because a DP decides with numbers, not with adjectives.
| Platform | Top speed | Props (in) | Flight per battery | Cameras |
|---|---|---|---|---|
| RAW FPV Drone | 150 km/h | 8-11 | 5 min | RED Komodo-X, RED V-Raptor, ARRI Alexa 35, Sony FX6, Freefly Ember |
| RAW FPV Heavy Lift | 120 km/h | 14 | 5 min | RED Komodo-X, RED V-Raptor, ARRI Alexa 35, Sony FX6, Freefly Ember |
| RAW FPV Gimbal | 130 km/h | 10-11 | 5 min | RED Komodo-X, RED V-Raptor, Sony FX6 |
| Protected FPV | 70 km/h | 5-10 | 5 min | RED Komodo-X, Sony FX6, Freefly Wave, Blackmagic 4K |
| DJI Inspire 3 | 94 km/h | 15 | 25 min | DJI Zenmuse X9-8K Air |
What it is forHigh-speed automotive, action and aggressive tracking. The signature platform and the one that defines the FPV language.
Its limitIt flies without a gimbal, so stability comes from the flying and not from the hardware. Five minutes per battery.
Automotive FPV FilmingWhat it is forThe cinelifter: it takes the full camera package into the air, with cine glass and a Freefly MoVI Pro gimbal.
Its limitThe gimbal buys stability and gives back some of the edge of pure FPV. That is the price of flying an Alexa.
Heavy-Lift Cinema Drone FilmingWhat it is forFPV movement with a stabilized image. The bridge between the edge of the RAW and the cleanliness of the Inspire 3.
Its limitBeing stabilized, the camera loses some of the dynamism that comes from flying without a gimbal.
Stabilized Cinema Drone FilmingWhat it is forThe cinewhoop: interiors, corridors and flight close to talent, with the props ducted.
Its limitDucted and deliberately low on power. Safety around people is paid for in speed.
Indoor and Close-Proximity FPVWhat it is forWide movement, landscape and talent in full-frame 8K, with the longest flight time in the fleet.
Its limitIt is not FPV: it does not get as close to the action, nor does it have the edge of a gimbal-free platform.
Stabilized Cinema Drone FilmingOur gear is already in country. Yours still travels, ours does not, and that removes a whole customs line from the schedule.
The person who assesses the location is the person flying it. Nothing is lost between the fixer and the pilot.
Gran Via, the City of Arts and Sciences, El Torcal, the Almeria desert and the Jarama circuit are on our own reel, not on a scout list.
Speed, heavy-lift, gimbal, ducted and stabilized in the same booking, so the shot does not have to fit a single aircraft.
Send the location, the dates and the shot reference. We will tell you what is possible, what needs approval and how long that approval takes in that specific region. Before the recce, not after.
A reference, the address or region, the dates and the camera the production is shooting on.
Platform, camera configuration, what the location allows, what needs authorization and the realistic timeline for it.
Our pilot and camera operator work inside your camera department. Material is delivered in RAW.
European operational authorization for complex urban FPV and 6.5M EUR liability cover. Every urban location still needs its own assessment, and the urban FPV page explains exactly what that involves.
See how authorized urban FPV worksRED Komodo-X, RED V-Raptor, ARRI Alexa 35, Sony FX6, Freefly Ember for high speed and the Zenmuse X9-8K on the Inspire 3. The camera is not picked from a list: it is chosen together with the platform and the movement.
See the camera configurationsThat is most of our work. We slot into the camera department a production already has, and we speak English, Spanish and French on set.
It depends on the city, the airspace and the exact line you want to fly. Send the address early and we will give you a real timeline instead of an optimistic one.
It is normal for FPV carrying a cinema camera, and it does not limit a shoot: you work take by take and swap batteries in between. The Inspire 3 flies around twenty-five minutes when the shot needs continuity.
Yes, on the heavy-lift platform with a Freefly MoVI Pro gimbal. RED Komodo-X, V-Raptor and Sony FX6 fly on several of the platforms.
Location, dates, the shot reference and the camera the production is using. We reply within 24 hours and quotes usually follow within 48.
Send the boards, the location and the dates. We will tell you which platform fits, what the location allows and what it costs.
Tell us the shot
