5
The Renault 5 campaign moved an unreleased prototype through Madrid interiors, city locations and dust-heavy exterior terrain under strict security.
For QUAD and directors Man vs Machine, Andriu FPV switched between RAW FPV and Inspire 3 according to each space, accounting for entrances, dust, permits, radio interference and confidentiality without changing the film's aerial language.
The production moved between interiors, exteriors, dusty terrain and city locations while filming an unreleased prototype under strict security. Each environment introduced different problems: airborne dust, constrained entrances, permits, GPS degradation, radio interference and the need to protect the identity and condition of the vehicle. The shot list demanded both highly dynamic FPV and polished conventional aerials.
We switched between RAW FPV and Inspire 3 according to the geometry and visual purpose of each shot, keeping a consistent cinematic language across both. Location analysis, security discipline and equipment protection were built into the workflow. The flexibility of the two-platform approach allowed the production to move quickly without compromising confidentiality or image quality.
- Role
- FPV Drone Pilot / Aerial Cinematography
- Director
- Man vs Machine
- Cinematography
- Daniel Bouquet
- Production
- QUAD
- Location
- Multiple locations in Madrid, Spain
- Year
- 2024
- Camera
- RED Komodo X · DJI Zenmuse X9
- Lenses
- Laowa 15mm · full Inspire 3 lens kit